"Creations", written by CARMEN Moron
Carousel fair
farolillos of illusion
artificer of cooker
explosions of color.
Dawn amarillos
that radiate the light of the sun
Mothers of turquoise blue
cliffs of passion.
Storms phosphorescent
encandilan to the heart.
Field greens, flowers Granai
explanadas and sunflower.
All Toni, all White Grané
and
Gloria your inspiration.
HAPPY EXHIBITION 2010. CARMEN Moron
Charity dinner in Tossa de Mar
White Grané collaborated in solidarity dinner to benefit UNICEF held in Tossa de Mar
White Grané makes delivery of a lithograph signed and numbered
The Eco de Sitges 13.03.2010
Article of the exhibition White Grané in Sitges.
Pictured J. Wolf, and JM White Grané Chain.
J. S. Wolf
Material, intense, with a Baroque accent, White Grané conducts its work.
Faces landscapes that are lost in the infinite dock on golden sands beach caressed by a sea of deep blue or dark crosses paths that traverse dense forests. It also closes in the privacy of the study and offers complex compositions, and stroke that develops with certainty and abundance of raw steel.
Painting well resolved, honest, faithful reflection of a particularly sensitive infrastructure for the arts.
J. S. Wolf
M. Losada
Land and sea area and a great sense of color, combining stunning shades that White gets Grané unite expressive form. Views of the Costa Brava, the rocks of the cliffs receiving the impact of the waves that are topped cloud of white foam; inland, trees and wheat fields under skies thick white clouds that trace the arabesque blue. A view is always spectacular, attracting too long, explained with a vibrant intensity, full of life, part of a strong root neoimpressionisme.
M. Losada
I. Gaviria
The strength of the light, the momentum of the matter seems to overwhelm the fabric but the painter controls; compositions converged to its central rate that creates a curved through which describe the golden wheat fields and green valleys that contrasted with stormy skies, intense.
Land and sea cliffs, and swells, soft peaks with intensity explained. And the dense lyricism of his still lifes. From large format, mural-minded, to intimate works.
White tells Grané explained with security knowledge. Painting emotional, intense, well resolved. No need for moral or philosophical speculation, is enough to let flow the noblest sentiments.
Impulsive and voracious painter to color. White Grané should follow his way of looking smart.
I. Gaviria
DG
The magic of the author's work lies not in the White Grané repetition of distant objects. Transform each of the landscapes in real and honest artistic work, filtering them through his moody and reflective vision, passing it through the filter of their personal way of looking at the art. So the author manages to be in each of his works, inserted into them through a language as rich as himself, as sensational as intense.
DG
J. S. Wolf
The White Grané pictorial view of reality that gives us the motivation is powerful, vital, strong and, simultaneously, marked by lyrical soft accent, always told in bright and luminous compositions.
White looks Grané nature, fields of golden wheat, wild forests and endless plains, cliffs that plunge over the blue sea.
But no matter the subject, because in his brushwork, rich color, imposed his personality. Knowledge and virtues that enable us to offer a job well resolved and imbued with pictorial quality.J. S. Wolf
JM CHAIN
The landscapes of Catalonia, the Costa Brava as the mountains of the interior, are the favorite subjects of White Grané. Plasma in them their feelings. Our geography can still, despite the degradation suffered due to the speculative urbanism, artistic emotion that arises before the beauty of nature, and I think White has Grané skills necessary to express it.
Needless moral or philosophical speculation; enough to let flow the noblest sentiments.
Impulsive and voracious painter to color. White Grané should follow his intelligent way of lookingJM Chain
GMR
Aquarius is like, exuberant, lively, passionate, and his works Grané White; convey the strength and spirit of the painter who has captured them in their feelings.
The theme played, landscapes, seascapes, still lifes, is subject to the domain of colors. And from them, you can imagine what the artist feels, and yet, what you feel in contemplating his work. You can let your imagination free and plunge into the colorful scenery, or swim against the tide moved in the waters of the sea, and even fun at the fair while trying to grab a fruit of his still lifes.
And this is what he expects, the viewer is introduced in your box, just as it was while he painted.GMR
